The continuous process of dramaturgy and bodily apotheosis has followed a progressive path in the singular work of Natasha Lebedeva, a creator keenly interested in the fusion between painting and photography. Her reflections on ephemerality, disappearance and the abrupt oscillation between increasing disorganization and the exaltation of her most plastic features, translate into work that seeks to restore the centrality of the subject and the body in which it is embodied.

The dramaturgy of his staging, the color and the poetic prism are, moreover, intended as a referential homage to the postulates of the Renaissance and the Baroque to reflect on postmodern visual culture by confronting it with unequal concepts around nudity and identity, disappearance through the exaltation of excess, mannerism and perversity, or through resemblance, repetition, difference, sexuality, violence and transgression.